Art History, After Sherrie Levine - download pdf or read online

By Howard Singerman

This publication examines the occupation of recent York-based artist Sherrie Levine, whose 1981 sequence of pictures "after Walker Evans"—taken no longer from existence yet from Evans’s recognized depression-era files of rural Alabama—became imperative examples in theorizing postmodernism within the visible arts within the Nineteen Eighties. For the 1st in-depth exam of Levine, Howard Singerman surveys a wide selection of resources, either historic and theoretical, to evaluate an artist whose paintings used to be understood from the outset to problem either the label "artist" and the assumption of oeuvre—and who has over the last 3 a long time crafted an important oeuvre of her personal. Singerman addresses Levine’s paintings after Evans, Brancusi, Malevich, and others as an experimental paintings ancient practice—material reenactments of ways the murals background is usually doubled in and dependent by means of language, and of the methods the artwork itself resists.

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Art History, After Sherrie Levine by Howard Singerman


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